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From: Alexey Kryukov lt;anagnost@ya... gt; - 2008-02-25 10:37:45
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If I create a quadratic layer in a font with cubic foreground, select all glyphs and execute #34;copy layer to layer #34;, I get multiple warnings: #34;You have just changed the point numbering of glyph... At least one reference to this glyph used point matching. That match is now out of date #34;. This looks strange, because the quadratic layer was empty (so I could not change point numbering), and the foreground layer was cubic (so it could not use point matching). Another problem is that quadratic layers, other than the foreground layer, still seem to be treated as cubic at some points. In particular, the interpolated points aren #39;t correctly marked. The Number Points- gt;TrueType menu item is grayed out, and the whole #34;Grid Fit #34; submenu is inaccessible too. -- Regards, Alexej Kryukov lt;anagnost at yandex dot ru gt; Moscow State University Historical Faculty |
| Guided by the published rules and conventions of ‘Palladian’ architecture, Georgian house builders swept away centuries of ‘vernacular’ house building rooted in local traditions and materials: timber framed construction, gabled roofs and casement windows and other features of the vernacular disappeared in the first few decades of the eighteenth century. |
| The new style can be traced back to mid-seventeenth century London, to Inigo Jones (1573-1652) and his design for Covent Garden, a Palladian inspired formal square of the 1630s. Then following the Great Fire of 1666, large-scale speculative building of classically influenced brick town houses commenced in London and by the end of the seventeenth century similar developments were under way elsewhere. In Bristol, then one of the largest and most important provincial cities, one of the first brick houses in the city was completed in 1701 in a new formal square soon to be named after Queen Anne (1701-14). The building of these first Georgian streets and squares represented the beginnings of large-scale suburban development in Britain. ‘Noxious trades’ were usually excluded from these new developments by the terms of the original building leases. Developed by speculative builders for wealthy clients the Georgian suburb was intended to be purely residential. These were the first fashionable suburbs containing streets, squares, circles and crescents of elegant terraced houses which exemplified the best of Georgian good taste: a combination of judicious restraint with exquisite detailing of the doors and windows. |
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